Damien Wilkins writes fiction, and he has published short stories, novels, and poetry. His writing has been described as ‘exuberant and evocative, subtle and exact, aware of its own artifice yet relishing the idiosyncrasies and possibilities of language’. Wilkins has had books published in New Zealand, the USA and the UK, and he has won and been nominated for a range of prizes and awards. He also edited the award-winning anthology, Great Sporting Moments: The best of Sport magazine 1988-2004 published in 2005.
Damien Wilkins's The Miserables won the 1994 New Zealand Book Award for Fiction.
On Wilkins's novel Nineteen Widows Under Ash (2000), writer Colm Toibin commented: 'Damien Wilkins writes brilliantly about streetwise, smart children and adults searching for love and stability far away from home.' The novel is set in America's Pacific Northwest under the shadow of a newly-active volcano.
Wilkins was the 2000 Victoria University Writers' Fellow.
Nineteen Widows Under Ash was runner up in the fiction category at the 2001 Montana New Zealand Book Awards.
Wilkins's novel Chemistry (2002), is a story about bad choices and those who suffer the consequences.
When Famous People Come to Town (2002) is one of twelve titles in the Montana Estates essay series published by Four Winds Press. The press was established by Lloyd Jones to encourage and develop the essay genre.
Damien Wilkins edited Great Sporting Moments: The Best of Sport Magazine 1988-2004, published by Victoria University Press in 2005. The work received the Montana Award for Reference and Anthology at the 2006 Montana New Zealand Book Awards.
The Fainter (Victoria University Press, 2006), is the story of Luke, a young diplomat on his first overseas posting. He’s in New York, preparing for the 50th anniversary of the United Nations. His photo has appeared in the New York Times. He has a knack for success. Then he witnesses a crime, the fallout from which threatens everything. Named as 'Book of the Week', Nelson Wattie in the Dominion Post said, 'Nobody interested in local literature should fail to read this book. Neither should anyone who simply enjoys a beautifully crafted work of fiction.'
The Fainter appeared on the 2007 Commonwealth Writers' Prize Shortlist as one of the Best Books in the South East Asia and South Pacific region.
The novel was also the fiction category runner-up at the 2007 Montana New Zealand Book Awards.
In 2008, Wilkins was awarded the New Zealand Post Mansfield Prize. One of New Zealand's most long-standing and prestigious literary awards, the prize is offered annually to enable a New Zealand writer to work in Menton, France, where the iconic writer Katherine Mansfield lived and wrote.
In Somebody Loves Us All (Victoria University Press, 2009), speech therapist Paddy knows better than most how our speech marks us and shapes our destiny, but even he is totally unprepared when his mother Teresa wakes up one morning speaking in a heavy French accent. Deeply moving and disarmingly funny, Somebody Loves Us All asks large questions about how we express ourselves, through speech, gesture, action and silence.
Damien Wilkins was interviewed by Lynn Freeman in the anthology, Words Chosen Carefully, edited by Siobhan Harvey (Cape Catley Ltd, 2010).
Wilkins is Director of the International Institute of Modern Letters at Victoria University, Wellington. He was also a 2013 Arts Foundation Laureate Award recipient.
Wilkins' novel Max Gate was published by Victoria University Press in 2013. It is a finalist in the Fiction category of the New Zealand Post Book Awards 2014.
In 2015 he was a guest writer at the Adelaide Writers' Week, at WorldFest in Calgary, and at the Vancouver Writers festival.
He launched his eighth novel Dad Art (Victoria Univeristy Press, 2016) during Writers Week in Wellington. It has been longlisted for the 2017 Ockham New Zealand Book Award. John Sinclair has reveiwed it, calling Dad Art 'a short novel, slight even, but deft, and it adds to the list of likeable, though not quite admirable characters with which Wilkins has charmed readers for two decades: competent, scrupulous about their social and familial duties, but knocked off their perch into the uneasy condition of emotional outsiders' (New Zealand Metro, 2016).
Updated: November 2016
- The Arts Foundation profile of Damien Wilkins
- Damien Wilkins' bibliography in the Auckland University Library's New Zealand Literature File