Harry Ricketts is a poet, academic, editor, and reviewer. He studied English at Oxford University before lecturing in Hong Kong and Leicester, and in 1981 took up a position at Victoria University of Wellington. He has edited collections of verse, critical essays, and other works of non-fiction, such as his acclaimed biography of Rudyard Kipling (1999). His poetry is defined by dramatic and satiric devices and tones, and is often grounded in personal commentary.
How You Doing? A Selection of New Zealand Comic and Satiric Verse (Lincoln University Press and Daphne Brasell Publishing), was edited by Harry Ricketts and Hugh Roberts, and published in 1998.
Ricketts published his selection of work Nothing to Declare: Selected Writings 1977 - 1997 (Headworx) in 1998.
Soon after, his acclaimed Rudyard Kipling biography The Unforgiving Minute: A Life of Rudyard Kipling (Chatto & Windus, 1999) was released to critical acclaim. Jeffrey Paine in the Wall Street Journal writes '[o]f all the Kipling biographies, Harry Ricketts’ is the most balanced’, whilst The New Yorker notes that 'Ricketts, a poet, is invaluable in analysing the subtleties and the modernist techniques that went into Kipling's popular, accessible work.'
Ricketts published a volume of poetry, Plunge, in 2001.
Spirit in a Strange Land (2002) is a collection of spiritual poetry co-edited by Ricketts, Paul Morris and Mike Grimshaw. It focuses on a rich vein in New Zealand writing: the spiritual experience. Spirit in a Strange Land won the Reference and Anthology Category of the Montana New Zealand Book Awards 2003. It was also shortlisted for the 2003 Spectrum Print Book Design Awards.
Ricketts participated in the 2004 Book Council WOW (Words on Wheels) tour of the deep South.
How to Live Elsewhere (2004) is one of twelve titles in the Montana Estates essay series published by Four Winds Press. The press was established by Lloyd Jones to encourage and develop the essay genre in New Zealand. In his essay Ricketts reflects on his move from England to New Zealand. An excerpt of How to Live Elsewhere was anthologized in the 2012 Auckland University Press Anthology of New Zealand Literature (co-edited by Jane Stafford and Mark Williams).
Ricketts co-edited Spirit Abroad: A Second Selection of New Zealand Spiritual Verse with Paul Morris and Mike Grimshaw (Random House, 2004). Spirit Abroad, like its predecessor Spirit in a Strange Land, comprises over 100 poems. These poems explore New Zealand’s ongoing struggle to articulate its identity on foreign battlefields, from London and Sydney, to Cape Reinga and Bluff.
Spirit Abroad: A Second Selection of New Zealand Spiritual Verse was a finalist in the reference and anthology category of the Montana New Zealand Book Awards 2005.
Your Secret Life is the first full-length collection of Ricketts poems since his selected writings, Nothing to Declare, was published in 1998. As well as a number of new poems the book also includes poems from his chapbook, Plunge (Pemmican Press, 2001) and several earlier hard-to-find pieces. In these poems, Harry Ricketts' subjects include the secrets and lies we tell ourselves and the underrated rewards of failure and loss.
Ricketts' How to Catch a Cricket Match (2006) is the ninth title in the Ginger Series from Awa Press.
Ricketts' collection of poetry, Strange Meetings: the Poets of the Great War (Chatto & Windus, 2010), focuses on the War Poets of 1914-1918.
99 Ways into New Zealand Poetry, edited by Harry Ricketts and Paula Green (Vintage, Random House NZ, 2010) was a finalist in the General Non-Fiction category of the 2011 New Zealand Post Book Awards.
His collection of poems Just Then was released by VUP in early 2012.
In How We Remember: New Zealanders and the First World War, editors Harry Ricketts and Charles Ferrall compile a range of essays – sourced from scholars and prominent New Zealanders – that explore the various ways in which war is remembered (or wilfully forgotten).
In March 2015, Ricketts’ latest poetry collection Half Dark (Victoria University Press) was published, adressing the ‘people and places that fill a life and the gaps they leave behind.' Half Dark was reviewed by Paula Green of NZ Poetry Shelf: 'The poems are the heartbeat of a backward look; at times mourning, often contemplative, they revel in humour as much as intimacy, in sumptuous detail as much as the well-tended gap.'
Last updated April 2016.