Tse, Chris

Tse, Chris

Information

residence
Wellington
Primary publisher
Auckland University Press
Rights enquiries
[email protected]
Publicity enquiries
[email protected]; [email protected]

In Brief

Chris Tse is a New Zealand poet. A graduate of the IIML, Tse has been published in Sport, Turbine, Landfall, and numerous other literary journals. Much of Tse’s writing reflects his own heritage and cultural concerns, with his verse giving a voice to the Chinese experience in New Zealand. Tse’s debut poetry collection, How to Be Dead in a Year of Snakes, won the Jessie Mackay Prize for Best First Book of Poetry in the 2016 Ockham New Zealand Book Awards.

ABOUT THE AUTHOR

Chris Tse (1982–) is a poet and fiction writer. Of Chinese heritage, Tse works to challenge cultural understandings and representations with his writing. He is also interested in how individuals frame their multi-faceted identities and adapt their personal histories in different contexts.

Tse graduated from Victoria University of Wellington with a BA in Film and English Literature in 2004. He subsequently entered into the Creative Writing Programme at the International Institute of Modern Letters, completing his MA in 2005. Since then, Tse has worked variously as an editor, an actor, a ministerial advisor, and a publications coordinator. As a writer, his poetry and short fiction has featured in such publications as Sport, Turbine, Landfall, The New Zealand Listener, and Takahe.

Tse’s first notable literary accolade came in 2009, the year that he won the Listener/ New Zealand Chinese Association Short Story Prize for his piece At Two Speeds.

The selected poetry of Tse was published in AUP New Poets 4 (2011), a collection that also features the poetry of Erin Scudder and Harry Jones. AUP New Poets 4 is the fourth volume of the Auckland University Press’ New Poets series, which has been instrumental in launching the careers of poets such as Anna Jackson and Sonja Yelich. Tse’s section of AUP New Poets 4 is titled “Sing Joe”, and comprises poems that draw on his Chinese background and related cultural identity. Reviewer Nick Ascroft says of Tse’s poetry: “Tse’s story remains emphatically personal, emotionally reverberant in its very clipped, tightly-wound expressiveness” (Landfall Review Online).

Tse’s first poetry collection, How to Be Dead in a Year of Snakes, was published by Auckland University Press in 2014. The collection affords a voice to Cantonese goldminer Joe Kum Yung, whose 1905 murder by Lionel Terry reflects the xenophobia of early 20th century New Zealand. Tse complicates and enrichens the historical crime in How to Be Dead in a Year of Snakes, problematizing the distinction between villain and hero, and creating a cultural tripartite between the European, Cantonese, and Maori cultures.

Hamish Wyatt reviewed How to Be Dead in a Year of Snakes for the Otago Daily Times: “This exciting book is a heartfelt meditation on place and people… [Tse] paints vivid pictures in words.” Lynley Edmeades noted that “The themes of the book are hefty, rich and sometimes imposing… But these themes are made alluring by being couched in layers of craftsmanship, formal experimentation and a kind of kaleidoscopic poetic play. The result is curious and original…” (Landfall).

How to Be Dead in a Year of Snakes was named as one of the New Zealand Listener’s best poetry books of 2014, and was shortlisted for the Poetry Prize in the 2016 Ockham New Zealand Book Awards. For the collection, Tse was awarded the 2016 Jessie Mackay Prize for Best First Book of Poetry.

MEDIA LINKS AND CLIPS

Updated June 2016.